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・ Erwin Georg Keilholz
・ Erwin Geschonneck
・ Erwin Gillmeister
・ Erwin Graf
・ Erwin Grasinger
・ Erwin Griswold
・ Erwin Guido Kolbenheyer
・ Erwin Gutawa
・ Erwin Hadewicz
・ Erwin Hagedorn
・ Erwin Hahn
・ Erwin Halletz
・ Erwin Hauer
・ Erwin Heerich
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Erwin Hillier
・ Erwin Hinckley Barbour
・ Erwin Hochmair
・ Erwin Hochsträsser
・ Erwin Hoffer
・ Erwin Home for Worthy and Indigent Women
・ Erwin House
・ Erwin House (Allendale, South Carolina)
・ Erwin House (Greenwood, Florida)
・ Erwin Huber
・ Erwin Hymer
・ Erwin Isaacs
・ Erwin J. Haeberle
・ Erwin Jaenecke
・ Erwin Jaisli


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Erwin Hillier : ウィキペディア英語版
Erwin Hillier

Erwin Hillier (2 September 1911 – 10 January 2005) was a German-born cinematographer known for his work in British cinema from the 1940s to 1960s.
==Early career==

Born in Germany to English-German Jewish parents (original surname Hiller), he studied art in Berlin in the late 1920s. Impressed by Hillier's paintings, the director F. W. Murnau offered him a job as camera assistant on ''Tabu'' (1931), but Hillier's father intervened because of Murnau's homosexuality. Fortunately, Murnau recommended him to director Fritz Lang at UFA studios, who employed him on his classic ''M''. Soon after he moved to Britain to pursue a career in film.

In Britain he worked as a camera assistant for Gaumont Pictures, where he worked with Hitchcock. He later moved to Elstree Studios, working on ''The Man Behind the Mask'' (1936) with Michael Powell, who noted his "insane enthusiasm". His debut as cinematographer came with ''The Lady of Lisbon'' (1942).

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